I’ve written about the phenomenon of ‘fandom’, especially how it was fetishised and commercialised in the early 1990s, in the latest London Review of Books, in a review of Paul Campos’s A Fan’s Life.
I’ve written about the phenomenon of ‘fandom’, especially how it was fetishised and commercialised in the early 1990s, in the latest London Review of Books, in a review of Paul Campos’s A Fan’s Life.